: Archief kunsthandel P. de Boer; Achterkant van het schilderij; RKD Bibliotheek: Galerie Leuchtenberg ; Gemalde - Sammlung seiner Kaiserl. Hoheit des Herzogs von Leuchtenberg in Munchen 2e dr. 1851. nr 162. met afbeelding; Verzeichniss der Bildergallerie seiner Königlichen hoheit des Prinzen Eugen Herzogs von Leuchtenberg in München. 1826 p. 49 II Saal. nr. 141;
: Prince Eugène-Rose de Beauharnais (1781-1824) Duke of Leuchtenberg or his second son and heir, Maximilian-Eugène-Auguste-Joseph-Napoléon (1817-1852) Duke of Leuchtenberg. [nl]
- *
: Beets, N. [nl]
: art dealers
: Amsterdam [nl]
: RKD fotodocumentatie;
: De RKD fotodocumentatie geeft als datum bij kunsthandel Beets 'circa 1940'. Deze herkomstnaam is onzeker. [nl]
* -
: Doodeheefver, H.P. [nl]
: collection
: Hilversum [nl]
: Archief Kunsthandel P. de Boer; Venema; CABR de Boer;
: In commisie gegeven bij kunsthandel P. de Boer. [nl]
|
: Boer, P. de [nl]
: art dealers
: Amsterdam [nl]
: Archief SNK nr.178, 288, 433, 862; Bundesarchiv Koblenz B323 nr.574; Archief Kunsthandel P. de Boer; A. Venema, Kunsthandel in Nederland 1940-1945, Amsterdam, 1986, p.586; CABR de Boer;
: In het CABR-archief van De Boer is dit schilderij aangetroffen op een lijst van kunstwerken die tijdens de oorlog aan de Duitsers zijn verkocht. Daarbij staat vermeld: 'in comm.', wat betekent ‘in commissie’. [nl]
- *
: Posse, H. [nl]
: Linz [nl]
: Archief SNK nr.178, 288, 433, 717, 862; Archief Kunsthandel P. de Boer; A. Venema, Kunsthandel in Nederland 1940-1945, Amsterdam, 1986, p.586; CABR de Boer;
: Hitler, A. [nl]
:
: Archief SNK nr.288, 862; A. Venema, Kunsthandel in Nederland 1940-1945, Amsterdam, 1986, p.586
- *
: Führermuseum [nl]
: museum
: Linz [nl]
: Bundesarchiv Koblenz B323 nr.574
In State possession
After 1945-05-05
Current restitution status
No requests
Research findings
There is no, or insufficient provenance information known about this object from the period 1933-1945. After investigation, no sources have been found to date that can provide information to complete its provenance in the period. Therefore, no conclusions can be made regarding possible suspicious provenance or involuntary loss of ownership.
The provenance history is inconclusive. During the investigation, the provenance name N. Beets could not be confirmed. It is uncertain whether this art dealer actually owned the painting in 1940. It is therefore also unknown how, when or under what circumstances the Amsterdam art dealer N. Beets acquired the painting. H.P. Doodeheefver from Hilversum consigned the painting to art dealer P. de Boer in April 1941, who then sold it in July 1941 to Hans Posse, buyer for the planned Führer Museum in Linz.
