LIMBURGS PROVINCIAAL MUSEUM VOOR KUNST EN OUDHEDEN; MAASTRICHT; ... [Naoorlogs. Met opschriften '2a'en '2'. Over nummer in geelgroen krijt = Linz-nummer?]
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opschrift
Hitler3706 [Blauwe pen. Linz-nummer]
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opschrift
I [Romeins cijfer 1. Lichtblauw krijt. Relatie met Munchen-nummer?]
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etiket
DIENST VOOR ‘S RIJKS VERSPREIDE KUNSTVOORWERPEN ’S-GRAVENHAGE [Naoorlogs]; Kunstenaar: Schoeffaerts Inv.nr.: NK2072; Titel: Landschap met havengezicht Maten: 27.5 x 40.5; Coll.: … Inv./cat.: 2072; 11556 – ‘53 - 36
: Dit schilderij is een pendant van NK1972. Op de achterkant van NK1972 is een sticker met: ADRIAEN BOUDEWYNS OCH PIETER BOUT; (*1644 Brussel +1711, *1658 Brussel +1702); TVENNE ITALIENSKA TORG OCH; HAMNSCENER; a) Ekpanna 29 x 41 cm.; b) Ekpanna 28 x 40 cm.; Utstalda i Paris1938. [Zweeds] HAMNSCENER=Havengezicht. Het tentoonstelling was in Paris in 1938. [nl]
: Paech, W.M.H. [nl]
: art dealers
: Amsterdam [nl]
: Fotodocumentatie;
: Dit herkomstnaam is onzeker. Het is wel bekend dat Kunsthandelaar Paech handelde met Kunsthandel Burg Berger. [nl]
There is no, or insufficient provenance information known about this object from the period 1933-1945. After investigation, no sources have been found to date that can provide information to complete its provenance in the period. Therefore, no conclusions can be made regarding possible suspicious provenance or involuntary loss of ownership.
The provenance of this painting is unclear. At present, there are no leads for conducting further research into the provenance of this object for the period from 1933 to 1945. It is unknown how, when and under what circumstances the art dealer Burg Berger, based in Berlin (Stockholm), acquired this painting. It is also unknown how, when and under what circumstances the art dealer W. Paech, Amsterdam, acquired this painting. It is also unknown how, when and under what circumstances A. Ramaker from Lunteren acquired this painting. It is known, however, that in 1944, Ramaker sold this painting to Göpel.
